April Freeman Banner 2014

POETRY

History

MAY 15, 2013 by BRUCE BOND

Back then we put our pennies on the tracks
and waited for the thunder of the boxcars
to pound the Lincoln from their faces, so flat
the mint of it was worthless, priceless, rare.
Those were days the full sun of Los Angeles
crushed us as we thumbed the polished metal
to search for evidence: a god we trust,
a liberty, a date. It takes a god to kill
a god, to have it drummed beneath the thrust
of this world. But as I looked down the rails,
I saw something of another, its parallels
that narrowed as they rose against the heat,
so close they almost met, as a man might meet
the boy he was, faceless in the distance.

ASSOCIATED ISSUE

June 2013

ABOUT

BRUCE BOND

Bruce Bond is the author of nine books of poetry, most recently Choir of the Wells (Etruscan, 2013), The Visible (LSU, 2012), Peal (Etruscan, 2009), and Blind Rain (LSU, 2008). In addition he has two other books forthcoming: The Other Sky(poems in collaboration with the painter Aron Wiesenfeld, Etruscan) and For the Lost Cathedral (LSU). He is a Regents Professor of English at the University of North Texas and Poetry Editor for American Literary Review.

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April 2014

Around the world, people are struggling to throw off authoritarianism, with deeply mixed results. From Egypt to Venezuela, determined people build networks to overthrow their regimes, but as yet we have not learned to live without Leviathan. In this issue, Michael Malice and Gary Dudney discuss their glimpses inside totalitarian regimes, while Sarah Skwire and Michael Nolan look at how totalitarian regimes grind down the individual--and how individuals fight back. Plus, Jeffrey Tucker identifies a strain in libertarianism that, left unchecked, could reduce even our vibrant movement to something that is analogous to the grim aesthetic of architectural brutalism. The struggle for our lives and freedom is a struggle for beauty; it begins inside each of us.
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